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The search for fame brings out the scariest demons - but if they are wearing high fashion and having fun in a night club, there’s no doubt they’ll be listening to Natalia Stazka. Flirting with the electronic music since her teenage years, in 2020 the composer, producer and musical artist decided to follow a different direction from her previous stage names, heading towards the pop and glamour of the 2000s, with influences from <a href="spotify:artist:26dSoYclwsYLMAKD3tpOr4" data-name="Britney Spears">Britney Spears</a>, <a href="spotify:artist:4RVnAU35WRWra6OZ3CbbMA" data-name="Kylie Minogue">Kylie Minogue</a>, <a href="spotify:artist:4vRSocKbGh7PsQrYRDVMEF" data-name="Lindsay Lohan">Lindsay Lohan</a> and many other references, always sewn with a touch of European pop, which floats around a captivating and wild work soundly. Her compositions interpolates the escape of a society drowned into the sins and loves of the night, with ambition in luxurious scenarios both in sound and in aesthetics. Her single <a href="spotify:track:2kH1KzRqdXGO8p47O6aFqd" data-name="Rich Trouble">Rich Trouble</a>, pushed her to expand her musical skills, being the primary essence of her later works, such as the song <a href="spotify:track:4gVilYzBPcF9AdUxlgIyPI" data-name="Feeling Savage">Feeling Savage</a> which quickly gained prominence on platforms and night clubs where the singer also acts, with an aggressive electronic rhythm and "catchy" radio choruses. In the hands of Natalia Stazka, pop is culminated to resume the narrative of the superficial without sounding superb, but fun, obscure within an expressive celebration of music made for the dance floors.
Primeiro evento no Shotgun em 2024